From the Edinburgh Fringe to the illustrious stages of the West End, and now onto the screens of Netflix, “Baby Reindeer” unveils a chilling narrative centred around a fictionalised rendition of comedian Richard Gadd.
The story revolves around Gadd’s character, Donny, whose chance encounter with Martha (portrayed by Jessica Gunning), a dishevelled woman claiming to be a high-flying lawyer, spirals into a twisted tale of obsession.
Initially drawn in by Martha’s plight, Donny soon finds himself ensnared in her web as her attentions morph into full-blown stalking. The escalation is stark, documented by a staggering 41,071 emails and 350 hours of voicemail. Through increasingly candid narration, Donny grapples with past traumas and his own role in the unfolding tragedy.
What sets “Baby Reindeer” apart is its refusal to offer easy answers. Gadd’s masterful storytelling, both as the writer and lead actor, delves into the darkest recesses of his life with brutal honesty. Moral boundaries blur, mirroring the unpredictable nature of Martha’s character. The narrative takes a haunting turn in the fourth episode, unveiling a darker chapter from Donny’s past.
Gadd’s performance is nothing short of phenomenal, his charisma shining through even in Donny’s most flawed moments. Yet, it’s Gunning’s portrayal of Martha that truly captivates, vacillating between heartbreaking vulnerability and chilling menace.
The real-life horror of the situation is accentuated by unsettling close-ups and interstitial text cards, offering glimpses into the terrifying messages flooding Donny’s inbox. However, these stylistic choices never overshadow the raw humanity at the core of the story.
For Gadd, “Baby Reindeer” is a reflection of tragedy—a convergence of shame, mental illness, and societal failings that devastate the lives of two broken individuals. While not an easy watch, it is a necessary one, particularly for those who have experienced similar trials.
